Windfarm 2010 All-America Music Team

In an attempt at doing something other than a traditional "best of 2010" list, I've taken a bit of a different route, and instead, listed my favorite albums in the form of an All-America Team. What you'll find are not necessarily the best musicians at every position, but players from my favorite albums of the year broken out by position. Thus, many great musicians get ignored, although my main concern was including at least someone from each of my favorite albums this year.

Yes, I also know some of these are a stretch, but I couldn't just have 14 first team vocals, so there are a few picks that aren't necessarily full time on the instrument they are assigned to. Next year hopefully I can solicit votes from readers and bloggers alike to get a better compilation for this list.


Most Valuable Musicians
Every member of The National - High Violet

First Team
Vocals: John McCaulley III, Deer Tick - The Black Dirt Sessions
Harmony Vocals: Julie Davis & Joseph Pope III, Nathaniel Rateliff - In Memory of Loss
Guitar: Justin Townes Earle - Harlem River Blues
Bass: Murry Hammond - Old 97s - The Grand Theatre: Part I
Drums: Brian Moen, Peter Wolf Crier - Inter-Be
Banjo: Munly Munly - Munly & the Lupercalians - Petr & the Wulf; Slim Cessna's Auto Club - Buried Behind the Barn
Keyboard: Benjamin Tanner, Dylan LeBlanc - Pauper's Field
Pedal Steel: Jon Graboff, Ryan Adams & the Cardinals - III/IV


Second Team
Vocals: Win Butler, Arcade Fire - The Suburbs
Harmony Vocals: Ryan Monroe - Band of Horses - Infinite Arms
Guitar: Seth Avett, The Avett Brothers - Live Volume 3
Bass: Reid Perry, The Band Perry - self-titled
Drums: Julian Harmon, The Morning Benders - Big Echo
Banjo: Winston Marshall - Mumford & Sons - Sigh No More
Keyboard/Piano: Eric Earley, Blitzen Trapper - Destroyer of the Void


All-Texas Team
Vocals: Will Johnson, Centro-matic/South San Gabriel - Eyas
Guitar: Daniel Markham, One Wolf - One Wolf II: Secret of the Wolf
Pedal Steel: Colt Miller, Thrift Store Cowboys - Light Fighter
Bass: Brooks Kendall, Jr. - Rodney Parker & 50 Peso Reward - The Apology, Part I
Drums: Rob Sanchez, Monahans - 2010 Recordings
Banjo: Glen Farris - Doug Burr - O Ye Devastator
Keyboards: Adi Kanlic - The Lusitania - Rain & Rivers


Other First Teamers

Autobiographer: Keith Richards - Life

Documentarian: Gandulf Hennig - Merle Haggard: Learning to Live With Myself

Live experience: singalong of "When My Time Comes" - Dawes - Fox Theatre, Boulder 06/19/10

Shameless Self Promotion: Windfarm - "The Proud Colorado Mountains of Townes Van Zandt" (Hey, I spent a lot of time on that post, so why not give it one more mention?)

Venue: Hi-Dive, Denver, CO

Song of the Year: "Red, Red" - Doug Burr - Specifically, the moment the drums come in on this song is the best musical moment of 2010 for me.

Close second place for song of the year: "Christchurch Woman" - Justin Townes Earle

Radio station: 1410 AM, KRIL, Odessa, TX

Record store find: Vic Chesnutt, Little (vinyl first printing)

TV show(s): Southland, Modern Family, Hard Knocks, Friday Night Lights, Dexter, Eastbound & Down, Late Night with Jimmy Fallon, No Reservations, Human Target

Magazine Interview: "The Lost Lennon Tapes" - Rolling Stone

Sports blog: Feinstein on the Brink

Odd Celebrity Sighting: Vijay Singh on Pearl Street in Boulder (might have been 2009)

Best Daytrotter sessions: Nathaniel Rateliff - 06/21/2010; Dawes - 07/08/2010

Non-fiction book: Welcome to Utopia - Karen Valby

Album I rediscovered: The Dark - Guy Clark

Person who deserves Supporting Actor Nomination: John Hawkes in Winter's Bone

Best pick-up truck ever: This baby blue Chevy Scottsdale I saw at HEB -

Doug Burr - Daytrotter session 12/29/10

Great to see one of my songwriters continuing to get the attention his work deserves. A new Daytrotter session for Denton, TX, based artist Doug Burr was posted today, and if you've been hiding under a rock for the last year, this is your chance to check him out finally. Check out the session here. Free download and lossless format downloads available.

Image via Daytrotter.

News on Doug Burr - O Ye Devastator

In less than a month now, Velvet Blue is set to release Doug Burr's latest studio record, O Ye Devastator. Having heard a number of the new songs at SXSW, I'm super excited about this record.

In the last week or so, the cover art (and 30 second song samples) were put up on Amazon. Now, the good folks at Velvet Blue have done us one better and made two full songs available for online streaming, so go check them out. Love both songs, but "Red, Red" is already a new favorite.

SXSW - A cold wild wind will come

Day Four - Saturday

Holy crap. Beginning around 3 AM, Saturday was a bust. That was about the time I was sleeping on my friend's couch and thought I was going to get sucked out the window because the cold front and rain hit with so much force. Hence, nice weather officially over. The cold temperature and strong winds made for the most unpleasant day I have ever witnessed in the three total SXSW's I have been able to attend.

To cut short the complaining, I'll summarize by saying I did a LOT of walking in this cold wind to a number of shows that were either canceled or postponed. We caught the end of the last song of a set by Sonny and the Sunsets and the last 2 songs by Sarah Jaffe, followed by another performance by Doug Burr, but due to some poor planning and the weather disaster, the afternoon was largely a bust.

SXSW Axiom #5: SXSW is not designed with much of a contingency plan for bad weather, and your "list" for the day is likely to be thrown into total flux if this type of weather hits.

Most of all, I was super disappointed that the Ground Control Showcase, featuring Dawes, Deer Tick, Justin Townes Earle, and Lucero was postponed to evening when I couldn't attend, but such is life, even though SXSW isn't that much like real life at all.

The only redeeming factor of the day was the showcase I attended that evening at the Ale House. This showcase first featured Denton band Telegraph Canyon, a band that has been on my radar for some time now, but whom I have not had the chance to see live yet. The many band members crammed on to the tiny stage at the Ale House and put on a fantastic showcase that was quite well received by the packed venue.

As a side note, I actually saw Vic Chesnutt at this exact venue at a SXSW five years ago, so despite the fact that the small room is really only a music venue during SXSW, it holds a special place in my musical memory.

Following Telegraph Canyon, the crowd mostly stayed put for the set by Thrift Store Cowboys. Yet another large band, at 6 pieces, TSC played a very strong set, closing with one of the most upbeat songs from their upcoming album, entitled "Bright Fires."


































In short, I was extremely happy with how SXSW turned out this year. I saw roughly 20 artists that I really wanted to see, and you just can't complain about something like that. I went to only a few of the most hyped shows, and honestly, had the best time at the shows that were more low key, and had a lower proportion of people in attendance who spent the whole time talking about all the other cool parties they went to.

SXSW Axiom #6: Hipper is not necessarily better. Yes, you'll hear all sorts of things about the hippest bands that came to SXSW, and for some reason, most sites love telling you about how they got in to see Broken Bells at SXSW, but all in all, it probably wouldn't have been worth your time to do the same. I saw {band name censored} and {band name censored}, who played the storied Fader Fort, at a few other venues, and they were just a plain let-down. If you have the chance, go to the smaller parties with smaller crowds and you'll have a much better time.

If you've never been to SXSW and you really love music, then try to go. Don't bother with the badge because you can see more than you could ever want to see at the free shows that happen each day and are increasing in number every year. The musical energy of this week is unlike any that I have otherwise been a part of and is not easily replicated, so please do yourself the favor of taking part.

SXSW - Ramble Creek and Mile Hi Fidelity parties

Day Three - Friday

Friday morning we proved to be a bit less energetic than Thursday, and without any specific early plans, we took our time before heading to the Ramble Creek day party. We arrived just before 1 PM, with the primary intention of catching the set by One Wolf, who interestingly had played a party less than an hour before across town and still somehow managed to make it on time to the Ramble Creek show, held in a perfect backyard setting.

At that precise point, the random craziness of SXSW hit full force, as H. called to inform me that she and her friends had just gotten in a minor car accident. Thus, for obvious reasons, One Wolf did not happen for us, but most importantly, everyone involved in the accident was okay. While the cars received a good bit of damage, the accident wasn't our friend's fault, and after taking care of the necessities involved with that situation, we all returned to the Ramble Creek party for some much needed stress relief.

The first act we got to see was Collin Herring, an awesome artist currently based in Austin (formerly of Fort Worth) who I've been a fan of for a number of years now. Herring played a number of tracks off of his new release, Ocho, recorded of course at Ramble Creek, and produced by Will Johnson, and also mixed in some of his earlier songs. If I hadn't mentioned this before, Collin has about the coolest steel player around, Ben Roi Herring, his dad, and their duo performance (and banter) were a real pleasure to watch/hear.


















Did someone just say Will Johnson? Yes, that's right, THE Will Johnson of Centro-matic, South San Gabriel, and most recently, the drummer for the Monsters of Folk, graced the Ramble Creek party with a beautiful solo set. I hope I didn't embarrass myself as I sat roughly 10 feet from Will with my jaw resting on the ground, but hearing "Just to Know What You've Been Dreaming" in this particular setting was on par with the very best experiences of my entire SXSW, or maybe more accurately of the past few years. Whatever it took to get him to come play at this show, I can't thank the folks at Ramble Creek enough for making this happen.























I haven't described the exact locale of the Ramble Creek show yet, but it was by far the most enjoyable day party of SXSW by far. It was held in a backyard with the perfect set-up and perfect weather to accompany, and to boot, a big tub full of Lone Star was available for all in attendance.

The next act was one I have missed seeing live ever since we moved to Colorado. Doug Burr has written some of my favorite songs of the last decade, and in my book he has about as much integrity as any artist I listen to. He has recently recorded a new album, from which he played a number of songs. In short, I couldn't be more excited for these songs, as they are absolutely phenomenal. Doug has crafted a career in exactly the fashion that he wants, and this diligence has surely paid off as more and more people begin to take notice. He was backed at this show by his frequent collaborator Glen Farris, as well as members of Seryn and Monahans drummer Roberto Sanchez for some songs.



















































Next up was Austin band Monahans, who include Ramble Creek owner/engineer Britton Beisenherz on guitar. I had not seen this band before, although a number of years ago I saw a previous project of some of the musicians called Milton Mapes, and was a fan of all of that band's material. Monahans, however, is a new project, and as I think was the intention, the transition has infused a new energy into their music. The band is tighter than ever as a performing group, and their set at this day party was absolutely flawless and one of the best of the entire SXSW for me. The band has two albums to their name, although they are in the process of a project in which they will release one song a month for download for the rest of 2010. The first track is already available, and you can check out their Web site for details on how to get in on this opportunity. Monahans is a band on the rise and I fully hope they can ride the momentum to more widespread success and notoriety in the near future.



































Alas, as much as I hated to leave, I had to take off after Monahans because I wanted my Austin friend to see Denver's Slim Cessna's Auto Club, and knew this would be our best chance. While I missed Telegraph Canyon's set at Ramble Creek, I was able to make up for my exit by catching them on Saturday night.

After some frantic traffic navigation and hurried walking, we made it to the Mile Hi Fidelity party just in time to catch the latter half of Slim Cessna's set. Do I even have to mention that Slim did not disappoint? Munly was in top form, having just arrived from the year 1840, performing an extremely high energy set as co-frontman to Slim, just as we have all come to expect out of him and the Auto Club. Very few bands can claim to hold a foot firmly in the alt country legacy of the early 1990s while also remaining relevant for modern Americana/Southern Gothic music as well. In short, SCAC brought their tent revival to Sixth Street, and the end of the set no doubt saw a new group of converts leaving their first Slim show. Please see Slim if you get the chance. Sadly, even though they were the last band, Slim's energetic finale didn't lead into any encore, despite my desire to hear their epic "He, Roger Williams."

SXSW Axiom #4: No encores necessary at SXSW. There is simply too much music during the week for 99% of crowds to ask for another song. Few listeners even catch full sets, and no matter where you go you hear more music, so the encore is largely absent at SXSW, probably to everyone's benefit.

As you can see in the pictures below (click to enlarge), Slim and Munly's crowd involvement made for some of the best action pics of the festival, although "best" is a relative term with my crappy camera. You can't see it that well in the small version, but I love Slim's look in the background of the second picture below.

SXSW preview - 2010 Spune day party

While you may see some of these bands at the Ramble Creek party on Friday, if you happen to miss it for some reason, you can catch some essentials, like Doug Burr, Telegraph Canyon, Monahans, and Doug Burr on Saturday at the Spune day party.

You can find the Facebook event page here.


































Poster design by Brandon Lesley.

SXSW preview - 2010 Ramble Creek day party

Of all the SXSW shows that we preview on Windfarm, we can't possibly attend every single one because of various time conflicts and the like, but every now and again, there's comes along a "can't miss" day party that we hope we can convince you to attend. Hopefully you've not yet grown tired of the previews, and haven't enacted any kind of a self-imposed boycott on blogs that are covering SXSW. In short, Ramble Creek has put together one of the best day show line-ups I've seen thus far. While the line-up should be enough to get you there, there's the added bonus that Lone Star Beer and Waialua Soda Works will be providing you with refreshing beverages as well.

Ramble Creek is an Austin-area recording studio that has been gaining a very solid reputation in Texas because of the great work they have produced. The studio has recorded some of my favorite albums of the last few years, most notably those from the likes of Doug Burr, Monahans, Telegraph Canyon, and Collin Herring. Additionally, they recorded forthcoming albums from Lubbock-scene stalwarts One Wolf (One Wolf II: Secret of the Wolf) and Denton-based songwriting genius Doug Burr (O Ye Devastator) that I am quite excited about, to say the least.

I'm less familiar with Seryn, Austin Collins and The Georgian Company, although I expect they will be of similar high quality as the rest of the line-up. While I hear promising rumors here and there about the "Special Guest," no official announcements have been made about who this artist might be. We'll pass that info along in coming weeks if we hear, but I expect whoever it is will be well worth your time.

Everything you need to know is on the poster below. Check out Showlush for additional details. I know I said your SXSW schedule will fall apart after the first day, but the beauty of this show is you can just show up and stay all day. See you there.

Doug Burr - the best songwriter you (may) have never heard of

(Image credit Carmen Holt, via Burr's facebook.)

I feel like I've completely fallen off the map keeping up with one of my favorite songwriters, although given that he keeps a bit of a low profile, it's not terribly surprising. I have been a fan of Doug Burr's music for what I think has been close to 9 years now.

I don't recall the exact year when I first came to know of Doug, but I saw him playing with his band The Lonelies at a festival on the Brazos River around 2001, and I only wish I had recognized at the time how impressive a career he would have had since then. From what I remember, The Lonelies were a bit out of place among the typical Texas/outlaw/honky tonk music at the festival, almost to the point that seeing them has taking on mythical status in my mind, like I personally imagine it must have been like when my dad saw Johnny Cash open for George Jones in San Angelo, TX back in the early 1960s.

You may not have heard of Doug Burr, especially if you don't live in the DFW metroplex, near his home base of Denton, TX, or close to Austin, as the majority of his shows are played in those areas. What you have missed is one of the top songwriters around (period), who has been quietly building a fanbase with some of the best recordings released in the last decade. In fact, quite appropriately, the Dallas Observer named Burr's On Promenade one of the top area releases of the '00s. Some years ago, he largely moved away from performing with the Lonelies and has put out three records under his own name, with the most recent a collection of Psalms that Burr put to music, entitled The Shawl, and which was recorded at the abandoned Texas Hall in Tehuacana, TX. (See photos here.)

What I just found out is that Burr was recently involved in writing music for a small indie film named Topeka (here's the movie's facebook). Given that I typically foam at the mouth over Doug Burr releases, I was completely blown away that I was at least 8 months late in coming across this news. A video was posted with one of Burr's songs for the movie back in July, so like I said, this isn't new news, but it was news to me. He was interviewed back in August and mentioned both the film and his former band, noting how he wished they would have recorded more of their material back then (us too Doug!). Aside from this old news, I can't find much more about the film, so it seems it must be making the film festival rounds and/or waiting for distribution or funding to bring it to a larger audience. Knowing the fate of many small independent films, I just hope that we have some opportunity to see it online or on DVD at some point.

Beyond this bit of old news, Burr reports in this recent interview that he has been recording a new record, although knowing that he has always been careful to take his time and release the absolute best product possible, I expect a release date may be a few more months coming, but hopefully not too far in the distance. While I am unsure about whether the song will be on Burr's next release, this music player at the Dallas Observer's Web site contains an old Lonelies song called "Mirror Ball," although I can't tell if it's been completely re-recorded or just reworked. I have always hoped the unrecorded Lonelies material would make it to release eventually, and so if this song is in fact slated for Burr's new album, then we'll all benefit from it. If not, then his early material will remain quite obscure, as I noted some time back, unless of course he becomes a superstar and someone re-releases the material. However, for this humble family man, I don't think he has ever sought or desired fame or fortune through his music (maybe a comfortable living, but I doubt much more), and would probably reject it all to some extent if it ever came knocking. Doug Burr is a rare musician that stands well above the sea of mediocrity that is the music business, and more importantly, he is a grounded and real person who puts up with the often frustrating music business to do what he loves for all the right reasons.

(UPDATE: new Doug Burr release slated for April 2010)

"Should've Known" music video, producer - James Hurd, director - Jon Collins

Favorite Albums of the Decade from Our Favorite Artists

(Design credit Julie Cope)

In the face of all of the "best of decade" lists, we...well, we did some too. However, we reached out to a substantial number of indie artists that we are fans of and asked them what albums made the most lasting impression on them over the course of the past decade, in hopes that we would turn up some records that you won't find on the typical lists. We left the format open and welcomed multiple lists from each band. We are extremely grateful to all who participated. Below is the response. As an added bonus to you, the reader, feel free to post your own list in the comments section.

Greg Vanderpool - Monahans

"Even though this has been the decade of iTunes and shuffle playlists, I still love the album format. When a record locks into a mood from beginning to end yet still has enough contrast from song-to song to keep things interesting, it's a beautiful thing. I also love consecutive albums that complement each other so much so that they become a sort of saga (the same way Godfather I & II could be considered one film). It's hard to deny the body of work that Arcade Fire, Radiohead, Spoon and Wilco created over the past 10 years, alone. Aside from those, these are some of the ones that stick out in my mind..."

Chris Whitley - Soft & Dangerous Shores
Califone - Roomsound
Crooked Fingers - Crooked Fingers & Bring On The Snakes
Centro-Matic - South San Gabriel Songs/Music

The Court & Spark - Bless You

Bexar Bexar - Tropism & Haralambos

Steve Earle - Transcendental Blues
The Damnations - Where It Lands

Rob Lowe - Piano & Guitars; Balmorhea

"I am surprised at my list. I think most of the music that I really love and respect happened before 2000. It's hard for me to have a lot of perspective on music since 2000. I guess these records are the ones that I find the most affective, the ones I want to listen to all the time. They don't particularly represent the records that I think are the most innovative or even the most interesting (although most of them are both), but these are definitely the ones that I am closest to. And I guess that is what I like most in a record, something mysterious that just makes you keep listening over and over and over."

In alphabetical order:
The American Analog Set - Know by Heart

Gillian Welch - Time (The Revelator)

Max Richter - The Blue Notebooks

Neko Case - Fox Confessor Brings the Flood
Rachel's - Systems/Layers
Sigur Ros - ( )
Smog - A River Aint too Much to Love
Sun Kil Moon - Ghosts of the Great Highways

Tiny Vipers - Life on Earth
Wilco - Yankee Hotel Foxtrot

Winston Chapman - Drums; Bosque Brown

Strokes - Is This It? (2001)

Bill Calahan - Woke on a Whaleheart (2007)
Dr. Dog - We All Belong (2007)

Mara Miller - Bosque Brown

Bonnie 'Prince' Billy - Master and Everyone

The Shivers - Charades
Beach House - Beach House
the Knife - Deep Cuts
Gillian Welch - Time (the Revelator)

Jeremy Buller - Guitar, Keyboards, Miscellaneous, Vocals; Bosque Brown

John Vanderslice - Time Travel Is Lonely- Not his first solo album but, to me, the one with which he found his voice - settled into a style of writing, production, and engineering that all continue to influence me a great deal. His adaptation of Robert Lowell's 'The Old Flame' is perhaps my favorite of JV's recordings.

Midlake - The Trials of Van Occupanther- Though Midlake has had several markedly different-sounding records prior (and all of them very good), this one is another 'settling' album - they really found their sound here. A few critics thought the first three tracks left the album too front-loaded; they're idiots. Tracks 5-7 ('Young Bride', 'Branches', and 'In This Camp') make up my favorite three-songs-in-a-row of any album, ever. Magical moments include the vocal delivery of the second verse of 'Roscoe' ('now it's filled with hundreds and hundreds of chemicals that mostly surround-you-you-wish-to-flee-but-it's-not-like-you-so-listen-to-me-listen-to-me...'), the bowed strings and shakers that creep in at 1:27 in 'Head Home' (and Paul's most excellent guitar solo, and the dueling-guitars freakout slow-fade that closes the song), the lone snare hit that punctuates the second verse of 'Young Bride,' the way the words 'I wanted to maaarrrrryyy Babette' soar over the crashing guitars and drums of 'In This Camp'... etc. etc. etc... there are so many more...

Damien Jurado - Where Shall You Take Me? - It's hard for me to pick from Damien's albums. He's had so many albums full of fantastic songs... the first two songs of his I ever heard, though, were 'Matinee' and 'Window' from this album. 'Amateur Night' showcases the less-is-more dark-narrative writing that he's so freaking good at, and 'Tether' is one of those songs that is identifiable to the point of scaring me. 'Tether' is one of the reasons the repeat-one button exists.

David Wingo - Ola Podrida

"I was asked to provide 5-10 of my favorite albums of the last decade but I ended up with 12, and I couldn't see fit to take any of these albums off the list. Depending on my mood I could say that any one of these amazing records is my favorite of the decade...there are many, many albums that came out over the last 10 years that I love a great deal but these are the ones that I feel like have truly become a part of me and that I imagine will always fully engage and astound me, no matter how many times I've listened to them. I don't really know how to properly talk about any of them; I'm too close to the music at this point, and I think that's the hallmark of any great music...words can't even begin to do it justice."

In no particular order:
The Clientele - Suburban Light

Songs Ohia - Magnolia Electric Co.
Sigur Ros - ( )
The New Year - Newness Ends
The Radar Bros - And the Surrounding Mountains

Bibio - Fi

Explosions In The Sky - The Earth Is Not A Cold Dead Place
Joanna Newsom - The Milk Eyed Mender
The National - Boxer
Wolf Parade - Apologies To The Queen Mary
Radiohead - In Rainbows
M. Ward - Transfiguration of Vincent


Daniel Markham - One Wolf

Queens of the Stone Age - Songs for the Deaf...i was initially excited about Dave Grohl's return to the drums, but the songs and fuzzed out guitars really did it for me. i still listen to this on a weekly basis on cassette.

Ryan Adams and the Cardinals - Cold Roses...i always hear people talk about how hit or miss this album is, but for me it was just perfect. it just sounds so classic to me.

The Flaming Lips - Yoshimi Battles the Pink Robots...i love anything weird, and this is definitely that. it will always remind me of driving through thick fog on the California coast. i love how scientific wayne coyne's lyrics are, too.

Beck - Sea Change...when i got this i couldn't stop listening to it. it's just so mellow and trippy. it's by far my favorite beck album.

R.E.M. - Accelerate...r.e.m. is my favorite band of all time. this is such a great "return to form" for them after a few more experimental albums. it's very energetic and also very short. i absolutely love this album! it has everything i love about this band on one disc. for sure!

Collin Herring

Sun Kil Moon - April

Richard Buckner - Impasse
Centro-matic - Distance and Clime
Hem - Rabbit Songs
The Walkmen - Bows and Arrows
Kathleen Edwards - Failer
Beck - Sea Change
Ryan Adams - Heartbreaker
Drive-By Truckers - Decoration Day
Lucinda Williams - Essence

Colin Gilmore

Joe Strummer and the Mescaleros - Streetcore (2003)

Billy Joe Shaver - Freedom's Child (2002)
Mark Knopfler & Emmylou Harris - All the Roadrunning (2006)
Flatlanders - Wheels of Fortune (2004)
Brandi Carlisle - Brandi Carlisle (2005)
Robert Plant and Allison Krauss - Raising Sand (2007)

The Flaming Lips - Yoshimi Battles the Pink Robots (2002)

"Not in this order necessarily. These are some of the albums that I think have kept music to a high standard during this decade. I hope they're just a taste of what's to come."

Brooks Kendall - Bass; Rodney Parker & 50 Peso Reward

Eminem - The Marshall Mathers LP
Jay-Z - The Black Album
Ryan Adams and the Cardinals - Jacksonville City Nights
The Game - The Documentary
Hayes Carll - Trouble In Mind
Macon Greyson - Uneasy
Radiohead - Kid A
Doug Martsch - Now You Know

Andy Martinez

Stephen Malkmus - Real Emotional Trash

The Court and Spark - Hearts
Joseph Arthur - Nuclear Daydream
Twilight Singers - She Loves You
Magnolia Electric Company - What Comes After The Blues
Strays Don't Sleep - Strays Don't Sleep
Daniel Lanois - Shine
Matthew Ryan - Vs. The Silver State
Nick Cave - Dig, Lazurus, Dig!!!

Doug Burr

Bonnie 'Prince' Billy - Master & Everyone

Seth Woods - Sad Accordions, Whiskey Priest, Booher & the Turkeyz, Zookeeper, Alex Dupree & the Trapdoor Band

"how about... top 61? okay, i got a little carried away. i'm sorry! i just couldn't leave all these great records off my list! so instead, i tried to sort them as conveniently and non-arbitrarily as i could. the categories are fairly self-explanitory, except maybe the "spiritual documents" one. these are the records that, for me, go beyond the mere classification of "record" and dip into a realm of creation that "records" such as Astral Weeks exist in - more than just timeless recordings or timeless songs, there is something greater than the art of the musicians being captured here...
also, there are just some records that i can't separate from others in my experience of them. for instance, in thinking about the radiohead records that came out during this decade, i don't have a favorite. they are all my favorite. this decade of radiohead was my favorite radiohead record! i keep expecting them to let me down at some point, but so far, they haven't. so those four records count as one to me. as opposed to the arcade fire, who do have two very good records, but their second record is hands down my favorite of the two. therefore, only neon bible is listed.
look, just be grateful that i didn't include my favorite records that came out in PAST decades but weren't discovered by me until THIS decade!"

BEST OF AUSTIN

Zykos - S/T

Fivehead - Guests of the Nation

Meryll - You've Got Cousins / Happened / Rimziate

Shearwater - Palo Santo / Winged Life

Alex Dupree and the Trapdoor Band - S/T / Las Meridanzas

Frank Smith - Big Strike in Silver City

American Analog Set - Promise of Love

Milton Mapes - The Blacklight Trap

The Gloria Record - Start Here

The Miracle Chair - #4 The Digital Frontier

BIG TIMERS

Pete Yorn - Music for the Morning After

Brian Eno and David Byrne - Everything That Happens Will Happen Today

Bob Dylan - Tell Tale Signs (Bootleg Series vol. 8)

Nick Cave and the Bad Seeds - Abattoir Blues/The Lyre of Orpheus

Radiohead - Kid A / Amnesiac / Hail to the Thief / In Rainbows

Thom Yorke - The Eraser

Coldplay - Parachutes

David Gray - A New Day at Midnight / White Ladder

Randy Newman - The Randy Newman Songbook vol. 1

INDIE BIG TIMERS

Broken Social Scene - S/T / Bee Hives

Wilco - A Ghost is Born / Yankee Hotel Foxtrot

The Postal Service - Give Up

The Arcade Fire - Neon Bible

Ryan Adams - Heartbreaker

TV on the Radio - Desperate Youth, Blood Thirsty Babes

Okkervil River - Down the River of Golden Dreams / Don't Fall in Love with Everyone You See

Joanna Newsom - Ys

The Mountain Goats - We Shall All Be Healed

THE UNDERDOGS

The Standard - August / Wire Post to Wire / Albatross

Sam Amidon - All is Well

Ho-Hum - Near and Dear

Don Chaffer and Waterdeep - Whole 'nother Deal

Nat Baldwin - Most Valuable Player

The Lord Dog Bird - S/T

The Wrens - The Meadowlands

Vigilantes of Love - Audible Sigh

Creeper Lagoon - Remember the Future

David Garza - A Strange Mess of Flowers / Overdub

THE CLASSY FOLKS

Daniel Lanois - Shine / Here is What is

Gillian Welch - Soul Journey

Crooked Fingers - S/T / Bring on the Snakes / Red Devil Dawn / Dignity and Shame

Calexico - Feast of Wire

John Vanderslice - Cellar Door

Jim White - No Such Place

Joseph Arthur - Our Shadows Will Remain / Redemption's Son
Sun Kil Moon - Ghosts of the Great Highway / Tiny Cities
Over the Rhine - Ohio
Nina Nastasia - Dogs

ROCKING INDIE

Guided by Voices - Universal Truths and Cycles

AC Newman - The Slow WonderWolf Parade - At Mount Zoomer

Damien Jurado - I Break Chairs
Pedro the Lion - Winners Never Quit / The Only Reason I Feel Secure / Control / Achille's Heel
Frightened Rabbit - The Midnight Organ Fight
Nada Surf - Let Go
Richard Buckner - Dents and Shells / Meadows

SPIRITUAL DOCUMENTS
Akron/Family - S/T
Sufjan Stevens - Seven Swans
Gillian Welch - Time (the Revelator)
smog - A River Ain't Too Much to Love
Bill Callahan - Sometimes I Wish We Were an Eagle


Western Ghost House

Okkervil River - Black Sheep Boy
M. Ward - Transistor Radio
Desaparecidos - Read Muisc/Speak Spanish
Beach House - Devotion
The Unicorns - Who Will Cut Our Hair When We Are Gone?
Deer Tick - War Elephant
Lil' Wayne - Tha Carter III
The Shivers - Charades
Darkest Hour - Undoing Ruin
Modest Mouse - The Moon and Antarctica


Derek - Writer, CFO, Windfarm

The Paper Hearts - Plans for the Past
Lucero - That Much Further West
Damien Jurado - Where Shall You Take Me?
Willy Mason - EP
Ryan Adams - Heartbreaker
Silver Jews - Bright Flight
Drive-By Truckers - Decoration Day
Kathleen Edwards - Failer
Gillian Welch - Time (the Revelator)
Will Johnson - Vultures Await
Explosions in the Sky - The Earth is Not...
Bonnie 'Prince' Billy - Master & Everyone
Arcade Fire - Funeral
Damien Rice - o
Hayes Carll - Flowers & Liquor

Jeff - Writer, Procrastinator, Windfarm

If I was to have to pick the albums that I would say had the greatest impact on me over the past decade, this is a pretty comprehensive list. Some of these albums I might leave off if I wanted to appear super cool or hip, but here's as honest a list as I can put together.

Lucero - Tennessee
Explosions in the Sky - The Earth is Not a Cold Dead Place
Nels Andrews - Sunday Shoes
Hayes Carll - Trouble in Mind
Atmosphere - You Can't Imagine How Much Fun We're Having
Slim Cessna's Auto Club - Cipher
Fleet Foxes - Fleet Foxes
Modest Mouse - Good News for People Who Love Bad News
Eleven Hundred Springs - A Straighter Line
Richard Buckner - Meadow

And while I didn't include any particular album from them, I want to note a few artists that I consider to have produced the strongest body of work over the decade.

The Avett Brothers (it was too hard to pick one album)
Doug Burr (both solo and with the Lonelies)
Ryan Adams (solo & with the Cardinals)
DeVotchKa (hardly a single bad song over four LPs)
Will Johnson (solo, Centro-matic, South San Gabriel, etc. etc. etc.)

Festivals and stuff

Best news I've heard in some time:
Doug Burr will be heading back into the studio at the end of the summer.

Congratulations:
to Amanda Shires for her recent spotlight piece in Texas Music magazine, and also for charting on the Americana Radio charts (up to #28 so far).

If you care about this type of thing:
Bloodshot Records now lists the limited edition vinyl for Justin Townes Earle's The Good Life as sold out. You can probably still find some copies here and there, but probably not for a lot longer.

More congratulations:
to Telegraph Canyon, from Denton, whose next album will be released on Velvet Blue and Spune, which is also Doug Burr's label.

No matter how long we've had cell phones:
it turns out that it's still not a good idea to be talking to someone on the phone while you're pulling out into traffic on a busy street. Just in case you didn't know.

Austin City Limits Festival:
is looking more and more tempting. Must keep in mind how expensive it is though, and how it will be 150 degrees and 50,000 people will share 2 porta potties. But then again, there's also the Avett Brothers, Bon Iver, Devotchka, Grizzly Bear, and the Felice Brothers. Sorry to offend any major Arctic Monkeys fans, but I can't see much reason to go on Sunday.

Denver's SXSW equivalent:
is called the Underground Music Showcase (the UMS), although there's probably about 5,000 less bands in town for it. However, I count that as a plus. Hoping to make it down, with early intentions to catch Bela Karoli, Elin Palmer, The Wheel, Dressy Bessy, Adam Cayton-Holland, and Everything Absent or Distorted.

Is there any reason:

that I shouldn't go see both the Boulder AND the Denver Avett Brothers shows next month? I'm starting not to see any.

Thinking about giving away:

a few copies of the new Mt. Inadale 7" split. I'll keep you posted.

Have you ever seen Doug Burr from a DC9 at Night?

As you likely know, I clamor at even the hint of something from Doug Burr that I've not yet seen. This video features a very short interview with Doug and a performance of "Slow Southern Home," brought to you by the Observer's DC9 at Night blog.

Short as the interview may be, I think Doug basically sums up his entire philosophy of the music business with just a few sentences. Quite an impressive model that I think the music industry never would have dreamed would work - make good music the way you want and let the rest work itself out.

Doug Burr - "Should've Known" video

 
Doug Burr's "Should've Known" from Jon Todd Collins on Vimeo.

Apparently I've been living in a cave for the past few months, because I totally missed the release of this Doug Burr video. Absolutely amazing. Try here if the embedded version doesn't work for you.

And if you missed it, here's the piece Paste Magazine did on him a little over a year ago.

And finally, a very recent interview, that you've already heard if you follow his Web site regularly. You can also find it by subscribing to KERA's Track by Track on itunes.

3 Hard-to-Find Albums You'll Wish You Had Someday

The Lonelies - The Lonelies EP

This album is one of the early releases from songwriter extraordinaire Doug Burr. Doug has a couple of solo albums under his belt currently that are absolute pure gold in terms of quality, musicianship and substance. (I hope to provide a write-up of his upcoming release, The Shawl, in the next few months after I've had the chance to listen to it.
But back to the Lonelies, this EP exhibits some of Burr's older work, demonstrating that he has trouble touching/writing a song that doesn't turn to gold. "Carolina" may be the standout from this EP that I always come back to, although "Curse the Weatherman" runs a close second, and is sure to get stuck in your head. This EP was not widely distributed and is so rare it is not even available online. In fact, I even had some difficulty finding a picture of the cover. Probably a DFW area used record store is about your only hope for finding it these days. And while you're at it, keep an eye out for Doug's even more obscure pre-Lonelies solo release, Pokerface and for the Lonelies sophomore EP Democracy, Whiskey, & Sexy!

Obscurity Level: High
Obscurity Level for Pokerface: I'd like to shake your hand if you can find a copy of this album.

Eleven Hundred Springs - A Straighter Line

This acoustic album from another DFW area artist stands in mind as maybe the most fulfilling listen in the entire EHS discography. I don't know how many of these songs remain a part of the playlist on their live shows, but the album itself never really has a misstep. The lineup for the band has changed a good bit since this album, and thus, this may be the reason it is not still in print or available for digital download. Nonetheless, this album has a number of amazing songs including "Sad and Lonesome Song," "See You in the Next Life," and my personal favorite "Good Times, Hard Livin." Only "See You in the Next Life" has appeared on any subsequent EHS release, and thus, A Straighter Line remains the only way to hear the other two. This album sticks strongly to the band's country sound, but it is not strictly a honky-tonk record by any measure. This album also stands as the band's best lyrical quality in their catalogue.

Obscurity Level: Moderate

The V-Roys - All About Town

Looking back on the glory days of 90s alt country, the V-Roys have largely been forgotten. The band's frontman Scott Miller has continued with his solo career since the demise of the V-Roys, and in that time, his former band has largely fallen off the map. The mid to late 90s were a golden period of sorts for alt country, as it was gaining momentum, and was still composed of a relatively small scene. All About Town contains possibly some of the best songs from that era, including "Fade Away," "Testify," and "Hold on to Me." Luckily, the popularity of this band in the 90s led to a fairly wide distribution of the album, although I the CD is out of print and I don't believe it has been made available for digital download. Used copies are not too difficult to obtain at this point, although 5 years from now this may no longer be the case.

Obscurity Level: Low to Moderate

Need to get caught up on some things

Lots of free download links I want to pass along to get caught up on various things that might be of interest to some of you:

The New Frontiers - Daytrotter live performance (4 songs)

Cory Branan - 2 live shows 

This one has some great songs, one set with Thrift Store Cowboys as the backing band.

I recommend "Summertime" and "Prettiest Waitress in Memphis" from the Earl show, and "Tall Green Grass" from the Uncommon Ground show.

Thrift Store Cowboys - Nothing (new song live from Taos)

Doug Burr - In The Garden

Okkervil River - Golden Opportunities Mixtape

The Paper Hearts

Boxharp - old side project of The Court & Spark.  Click on "Store" to find the free album download.

That's a few pretty good ones.  Send along others if you've got them.

Now can we be friends?