Showing posts with label Rodney Parker. Show all posts
Showing posts with label Rodney Parker. Show all posts

Wednesday, July 27, 2011

Rodney Parker - Live in the Living Room


(photo credit Adam Neese)

Denton-based Rodney Parker & 50 Peso Reward have been gaining steam for some time now, touring the Texas circuit for a number of years, and as of late, taking over the airwaves as well. Parker's single "The Apology" is the latest to find its way into the Texas Music Chart, and follows on the heels of "Guitars," which has seen a tremendous amount of airplay in the past year.

Reports indicate that the follow-up to Parker's 2010 EP The Apology, Part 1, will see a release just before the end of this year, and Part 2 will reportedly be a full-length record. In the meantime, however, Parker is releasing a stripped down live record, Live in the Living Room. Spanning 13 tracks, this album was recorded...you guessed it...in the band's living room. Using no amplification, they played and recorded these songs in front of a small audience and, showcasing their strong musicianship as a touring band, the band chose to release the record as is, with no overdubs or alterations.


This record should provide an interesting contrast to the band's typically supercharged electric show and hopefully will tide fans over until the next installment of The Apology later this year. 50 Peso die-hards will also be pleased to find that material for this album stretches all the way back to the band's 2005 debut, Blow the Soot Out, and follows with select tracks from subsequent releases. In addition, the album features two unreleased songs, "Skin and Bones" and "Where the Bright Lights Glow Me." Parker & the Pesos continue to prove themselves as one of the top emerging bands in the regional Americana scene, and this release should do nothing but help their profile as they continue the drive toward greater notoriety.

Rodney Parker & 50 Peso Reward - "Skin and Bones"


Track Listing for Live in the Living Room (Release date 8/2):

1. Firefight
2. Highway Blues
3. Guitars
4. Ghost
5. Where the Bright Lights Glow Me
6. Bring Me My Gun
7. The Ship
8. Atlantic City
9. The Apology
10. I'm Never Getting Married
11. Tell Me What It Is
12. Skin and Bones
13. 10 lb. Test

Pre-Order the record at Lonestarmusic.com or iTunes (or basically any other major retailer, for that matter).

Monday, May 9, 2011

Preview: Rodney Parker - Rockin' Rodeo, Midland, 05/12/11

This Thursday, May 12th, catch Rodney Parker & 50 Peso Reward at the Rockin' Rodeo in Midland. RP & 50PR is one of the better Americana bands around, with an ever-growing catalog of great original music, so don't miss out on the chance to see them locally.

I have not heard an official release date yet, but expect The Apology: Part II from the band in the relatively near future, which should stand a great chance of elevating their status even more, given the radio success they have had with "Guitars," off of the first Apology album.

Friday, December 31, 2010

Windfarm 2010 All-America Music Team

In an attempt at doing something other than a traditional "best of 2010" list, I've taken a bit of a different route, and instead, listed my favorite albums in the form of an All-America Team. What you'll find are not necessarily the best musicians at every position, but players from my favorite albums of the year broken out by position. Thus, many great musicians get ignored, although my main concern was including at least someone from each of my favorite albums this year.

Yes, I also know some of these are a stretch, but I couldn't just have 14 first team vocals, so there are a few picks that aren't necessarily full time on the instrument they are assigned to. Next year hopefully I can solicit votes from readers and bloggers alike to get a better compilation for this list.


Most Valuable Musicians

Every member of The National - High Violet

First Team

Vocals: John McCaulley III, Deer Tick - The Black Dirt Sessions
Harmony Vocals: Julie Davis & Joseph Pope III, Nathaniel Rateliff - In Memory of Loss
Guitar: Justin Townes Earle - Harlem River Blues
Bass: Murry Hammond - Old 97s - The Grand Theatre: Part I
Drums: Brian Moen, Peter Wolf Crier - Inter-Be
Banjo: Munly Munly - Munly & the Lupercalians - Petr & the Wulf; Slim Cessna's Auto Club - Buried Behind the Barn
Keyboard: Benjamin Tanner, Dylan LeBlanc - Pauper's Field
Pedal Steel: Jon Graboff, Ryan Adams & the Cardinals - III/IV


Second Team
Vocals: Win Butler, Arcade Fire - The Suburbs
Harmony Vocals: Ryan Monroe - Band of Horses - Infinite Arms
Guitar: Seth Avett, The Avett Brothers - Live Volume 3
Bass: Reid Perry, The Band Perry - self-titled
Drums: Julian Harmon, The Morning Benders - Big Echo
Banjo: Winston Marshall - Mumford & Sons - Sigh No More
Keyboard/Piano: Eric Earley, Blitzen Trapper - Destroyer of the Void


All-Texas Team
Vocals: Will Johnson, Centro-matic/South San Gabriel - Eyas
Guitar: Daniel Markham, One Wolf - One Wolf II: Secret of the Wolf
Pedal Steel: Colt Miller, Thrift Store Cowboys - Light Fighter
Bass: Brooks Kendall, Jr. - Rodney Parker & 50 Peso Reward - The Apology, Part I
Drums: Rob Sanchez, Monahans - 2010 Recordings
Banjo: Glen Farris - Doug Burr - O Ye Devastator
Keyboards: Adi Kanlic - The Lusitania - Rain & Rivers


Other First Teamers

Autobiographer: Keith Richards - Life

Documentarian: Gandulf Hennig - Merle Haggard: Learning to Live With Myself

Live experience: singalong of "When My Time Comes" - Dawes - Fox Theatre, Boulder 06/19/10

Shameless Self Promotion: Windfarm - "The Proud Colorado Mountains of Townes Van Zandt" (Hey, I spent a lot of time on that post, so why not give it one more mention?)

Venue: Hi-Dive, Denver, CO

Song of the Year: "Red, Red" - Doug Burr - Specifically, the moment the drums come in on this song is the best musical moment of 2010 for me.

Close second place for song of the year: "Christchurch Woman" - Justin Townes Earle

Radio station: 1410 AM, KRIL, Odessa, TX

Record store find: Vic Chesnutt, Little (vinyl first printing)

TV show(s): Southland, Modern Family, Hard Knocks, Friday Night Lights, Dexter, Eastbound & Down, Late Night with Jimmy Fallon, No Reservations, Human Target

Magazine Interview: "The Lost Lennon Tapes" - Rolling Stone

Sports blog: Feinstein on the Brink

Odd Celebrity Sighting: Vijay Singh on Pearl Street in Boulder (might have been 2009)

Best Daytrotter sessions: Nathaniel Rateliff - 06/21/2010; Dawes - 07/08/2010

Non-fiction book: Welcome to Utopia - Karen Valby

Album I rediscovered: The Dark - Guy Clark

Person who deserves Supporting Actor Nomination: John Hawkes in Winter's Bone

Best pick-up truck ever: This baby blue Chevy Scottsdale I saw at HEB -

Wednesday, October 6, 2010

West Texas area music calendar

Lots of great shows coming up around West Texas the next few weeks. Here are a few good ones I know about. Send West Texas area music listings to windfarmblog(at)gmail(dot)com if you want your show listed on Windfarm.

Go see Lucero in Lubbock this Sunday if you can. They are one of the better touring bands who regularly visits the Hub City, and even better, The Lusitania will be opening.

Lubbock
Oct. 8 - Hayes Carll - Blue Light
Oct. 10 - Lucero, The Lusitania - Bash Riprocks
Oct. 12 - Thrift Store Cowboys - Blue Light (CD Release)
Oct. 15 - Wovenhand - Bash Riprocks

Midland/Odessa
Oct. 14 - Eli Young Band - Dos Amigos
Oct. 21 - The Deftones - Dos Amigos

San Angelo

Oct. 15 - The Derailers - Steel Penny Pub

Abilene
Oct. 16 - Rodney Parker & 50 Peso Reward - Lucky Mule Saloon

Alpine/Marfa
Oct. 7 - Dale Watson - Padre's
Oct. 8 - Jon Langford - Railroad Blues
Oct. 8 - The Gourds - Padre's
Oct. 9 - Jon Langford - Padre's
Oct. 15 - The Derailers - Railroad Blues
Nov. 3 - Monotonix - Padre's
Nov. 19 - Ray Wylie Hubbard - Railroad Blues
Dec. 3 - Black Joe Lewis - Padre's

Sunday, August 29, 2010

Rodney Parker & 50 Peso Reward - The Apology: Part 1






















I love being surprised when good artists announce a new record release for the immediate future, rather than going through the whole process of announcing records 6 months or more in advance. We've been hearing about a new Arcade Fire for over a year, and now that it's out I haven't even listened to it yet. The new EP from Rodney Parker & 50 Peso Reward I found out about earlier today and I've listened to it about 3 times through already.

What I gather from the internets is that Parker & 50 Peso decided to release their new material in a series of EPs rather than wait to assemble a full LP, and thus, The Apology: Part 1 is the first installment in that process. For the time being at least, you can stream the entire EP at Lonestarmusic.com, although I expect that won't be the case forever. My first impressions are that the band has assembled a very solid and well-produced 5-song set.

The lead-off track, "Guitars" sets the tone for the entire EP, as the crunchy guitars lay a solid common groundwork for all of the songs. I don't wish to pigeonhole this band per se, but if forced to give it a label, I might say the sound on this record was a bit like a project from Robert Earl Keen and the E Street Band. "River Song" and "Megaphone" stand out immediately as favorites of mine, although there is not a weak song on the record. The album also draws upon a past strength of 50 Peso Reward, which is the diversity of drum sounds and rhythms - something that puts them head and shoulders above many other Texas acts.

In short, the 5 songs are a much appreciated addition to an already outstanding catalog for RP & 50PR, and the anticipation for the second installment can begin now as far as I'm concerned. More importantly, this release is needed to keep the band at the forefront of the Texas music scene, a scene which at times settles for clichéd and dull music, two characterizations that in no way describe Parker & 50 Peso. Rather, this is a band that deserves far more attention than many of the acts that dominate the airwaves, so please give them a listen and spread the word.

West Texas folks can catch Rodney Parker & 50 Peso Reward two times in September:

Friday, Sept. 24 - The Blue Light - Lubbock, TX
Saturday, Sept. 25 - The Golden Light - Amarillo, TX

Having just moved to Odessa, I am aware that the band has played Dos Amigos before, although I don't know how well they do at the venue. Hopefully we can expect to see them here in the near future.

Monday, December 14, 2009

Favorite Albums of the Decade from Our Favorite Artists






















(Design credit Julie Cope)

In the face of all of the "best of decade" lists, we...well, we did some too. However, we reached out to a substantial number of indie artists that we are fans of and asked them what albums made the most lasting impression on them over the course of the past decade, in hopes that we would turn up some records that you won't find on the typical lists. We left the format open and welcomed multiple lists from each band. We are extremely grateful to all who participated. Below is the response. As an added bonus to you, the reader, feel free to post your own list in the comments section.

Greg Vanderpool - Monahans

"Even though this has been the decade of iTunes and shuffle playlists, I still love the album format. When a record locks into a mood from beginning to end yet still has enough contrast from song-to song to keep things interesting, it's a beautiful thing. I also love consecutive albums that complement each other so much so that they become a sort of saga (the same way Godfather I & II could be considered one film). It's hard to deny the body of work that Arcade Fire, Radiohead, Spoon and Wilco created over the past 10 years, alone. Aside from those, these are some of the ones that stick out in my mind..."

Chris Whitley - Soft & Dangerous Shores
Califone - Roomsound
Crooked Fingers - Crooked Fingers & Bring On The Snakes
Centro-Matic - South San Gabriel Songs/Music
The Court & Spark - Bless You
Bexar Bexar - Tropism & Haralambos
Steve Earle - Transcendental Blues
The Damnations - Where It Lands


Rob Lowe - Piano & Guitars; Balmorhea

"I am surprised at my list. I think most of the music that I really love and respect happened before 2000. It's hard for me to have a lot of perspective on music since 2000. I guess these records are the ones that I find the most affective, the ones I want to listen to all the time. They don't particularly represent the records that I think are the most innovative or even the most interesting (although most of them are both), but these are definitely the ones that I am closest to. And I guess that is what I like most in a record, something mysterious that just makes you keep listening over and over and over."

In alphabetical order:
The American Analog Set - Know by Heart
Gillian Welch - Time (The Revelator)
Max Richter - The Blue Notebooks
Neko Case - Fox Confessor Brings the Flood
Rachel's - Systems/Layers
Sigur Ros - ( )
Smog - A River Aint too Much to Love
Sun Kil Moon - Ghosts of the Great Highways
Tiny Vipers - Life on Earth
Wilco - Yankee Hotel Foxtrot


Winston Chapman - Drums; Bosque Brown

Strokes - Is This It? (2001)
Bill Calahan - Woke on a Whaleheart (2007)
Dr. Dog - We All Belong (2007)


Mara Miller - Bosque Brown

Bonnie 'Prince' Billy - Master and Everyone
The Shivers - Charades
Beach House - Beach House
the Knife - Deep Cuts
Gillian Welch - Time (the Revelator)


Jeremy Buller - Guitar, Keyboards, Miscellaneous, Vocals; Bosque Brown

John Vanderslice - Time Travel Is Lonely- Not his first solo album but, to me, the one with which he found his voice - settled into a style of writing, production, and engineering that all continue to influence me a great deal. His adaptation of Robert Lowell's 'The Old Flame' is perhaps my favorite of JV's recordings.

Midlake - The Trials of Van Occupanther- Though Midlake has had several markedly different-sounding records prior (and all of them very good), this one is another 'settling' album - they really found their sound here. A few critics thought the first three tracks left the album too front-loaded; they're idiots. Tracks 5-7 ('Young Bride', 'Branches', and 'In This Camp') make up my favorite three-songs-in-a-row of any album, ever. Magical moments include the vocal delivery of the second verse of 'Roscoe' ('now it's filled with hundreds and hundreds of chemicals that mostly surround-you-you-wish-to-flee-but-it's-not-like-you-so-listen-to-me-listen-to-me...'), the bowed strings and shakers that creep in at 1:27 in 'Head Home' (and Paul's most excellent guitar solo, and the dueling-guitars freakout slow-fade that closes the song), the lone snare hit that punctuates the second verse of 'Young Bride,' the way the words 'I wanted to maaarrrrryyy Babette' soar over the crashing guitars and drums of 'In This Camp'... etc. etc. etc... there are so many more...

Damien Jurado - Where Shall You Take Me? - It's hard for me to pick from Damien's albums. He's had so many albums full of fantastic songs... the first two songs of his I ever heard, though, were 'Matinee' and 'Window' from this album. 'Amateur Night' showcases the less-is-more dark-narrative writing that he's so freaking good at, and 'Tether' is one of those songs that is identifiable to the point of scaring me. 'Tether' is one of the reasons the repeat-one button exists.


David Wingo - Ola Podrida

"I was asked to provide 5-10 of my favorite albums of the last decade but I ended up with 12, and I couldn't see fit to take any of these albums off the list. Depending on my mood I could say that any one of these amazing records is my favorite of the decade...there are many, many albums that came out over the last 10 years that I love a great deal but these are the ones that I feel like have truly become a part of me and that I imagine will always fully engage and astound me, no matter how many times I've listened to them. I don't really know how to properly talk about any of them; I'm too close to the music at this point, and I think that's the hallmark of any great music...words can't even begin to do it justice."

In no particular order:
The Clientele - Suburban Light
Songs Ohia - Magnolia Electric Co.
Sigur Ros - ( )
The New Year - Newness Ends
The Radar Bros - And the Surrounding Mountains
Bibio - Fi
Explosions In The Sky - The Earth Is Not A Cold Dead Place
Joanna Newsom - The Milk Eyed Mender
The National - Boxer
Wolf Parade - Apologies To The Queen Mary
Radiohead - In Rainbows
M. Ward - Transfiguration of Vincent


Daniel Markham - One Wolf

Queens of the Stone Age - Songs for the Deaf...i was initially excited about Dave Grohl's return to the drums, but the songs and fuzzed out guitars really did it for me. i still listen to this on a weekly basis on cassette.

Ryan Adams and the Cardinals - Cold Roses...i always hear people talk about how hit or miss this album is, but for me it was just perfect. it just sounds so classic to me.

The Flaming Lips - Yoshimi Battles the Pink Robots...i love anything weird, and this is definitely that. it will always remind me of driving through thick fog on the California coast. i love how scientific wayne coyne's lyrics are, too.

Beck - Sea Change...when i got this i couldn't stop listening to it. it's just so mellow and trippy. it's by far my favorite beck album.

R.E.M. - Accelerate...r.e.m. is my favorite band of all time. this is such a great "return to form" for them after a few more experimental albums. it's very energetic and also very short. i absolutely love this album! it has everything i love about this band on one disc. for sure!



Sun Kil Moon - April
Richard Buckner - Impasse
Centro-matic - Distance and Clime
Hem - Rabbit Songs
The Walkmen - Bows and Arrows
Kathleen Edwards - Failer
Beck - Sea Change
Ryan Adams - Heartbreaker
Drive-By Truckers - Decoration Day
Lucinda Williams - Essence



Joe Strummer and the Mescaleros - Streetcore (2003)
Billy Joe Shaver - Freedom's Child (2002)
Mark Knopfler & Emmylou Harris - All the Roadrunning (2006)
Flatlanders - Wheels of Fortune (2004)
Brandi Carlisle - Brandi Carlisle (2005)
Robert Plant and Allison Krauss - Raising Sand (2007)
The Flaming Lips - Yoshimi Battles the Pink Robots (2002)

"Not in this order necessarily. These are some of the albums that I think have kept music to a high standard during this decade. I hope they're just a taste of what's to come."


Brooks Kendall - Bass; Rodney Parker & 50 Peso Reward

Eminem - The Marshall Mathers LP
Jay-Z - The Black Album
Ryan Adams and the Cardinals - Jacksonville City Nights
The Game - The Documentary
Hayes Carll - Trouble In Mind
Macon Greyson - Uneasy
Radiohead - Kid A
Doug Martsch - Now You Know



Stephen Malkmus - Real Emotional Trash
The Court and Spark - Hearts
Joseph Arthur - Nuclear Daydream
Twilight Singers - She Loves You
Magnolia Electric Company - What Comes After The Blues
Strays Don't Sleep - Strays Don't Sleep
Daniel Lanois - Shine
Matthew Ryan - Vs. The Silver State
Nick Cave - Dig, Lazurus, Dig!!!



Bonnie 'Prince' Billy - Master & Everyone



"how about... top 61? okay, i got a little carried away. i'm sorry! i just couldn't leave all these great records off my list! so instead, i tried to sort them as conveniently and non-arbitrarily as i could. the categories are fairly self-explanitory, except maybe the "spiritual documents" one. these are the records that, for me, go beyond the mere classification of "record" and dip into a realm of creation that "records" such as Astral Weeks exist in - more than just timeless recordings or timeless songs, there is something greater than the art of the musicians being captured here...
also, there are just some records that i can't separate from others in my experience of them. for instance, in thinking about the radiohead records that came out during this decade, i don't have a favorite. they are all my favorite. this decade of radiohead was my favorite radiohead record! i keep expecting them to let me down at some point, but so far, they haven't. so those four records count as one to me. as opposed to the arcade fire, who do have two very good records, but their second record is hands down my favorite of the two. therefore, only neon bible is listed.
look, just be grateful that i didn't include my favorite records that came out in PAST decades but weren't discovered by me until THIS decade!"

BEST OF AUSTIN
Zykos - S/T
Fivehead - Guests of the Nation
Meryll - You've Got Cousins / Happened / Rimziate
Shearwater - Palo Santo / Winged Life
Alex Dupree and the Trapdoor Band - S/T / Las Meridanzas
Frank Smith - Big Strike in Silver City
American Analog Set - Promise of Love
Milton Mapes - The Blacklight Trap
The Gloria Record - Start Here
The Miracle Chair - #4 The Digital Frontier

BIG TIMERS
Pete Yorn - Music for the Morning After
Brian Eno and David Byrne - Everything That Happens Will Happen Today
Bob Dylan - Tell Tale Signs (Bootleg Series vol. 8)
Nick Cave and the Bad Seeds - Abattoir Blues/The Lyre of Orpheus
Radiohead - Kid A / Amnesiac / Hail to the Thief / In Rainbows
Thom Yorke - The Eraser
Coldplay - Parachutes
David Gray - A New Day at Midnight / White Ladder
Randy Newman - The Randy Newman Songbook vol. 1

INDIE BIG TIMERS
Broken Social Scene - S/T / Bee Hives
Wilco - A Ghost is Born / Yankee Hotel Foxtrot
The Postal Service - Give Up
The Arcade Fire - Neon Bible
Ryan Adams - Heartbreaker
TV on the Radio - Desperate Youth, Blood Thirsty Babes
Okkervil River - Down the River of Golden Dreams / Don't Fall in Love with Everyone You See
Joanna Newsom - Ys
The Mountain Goats - We Shall All Be Healed

THE UNDERDOGS
The Standard - August / Wire Post to Wire / Albatross
Sam Amidon - All is Well
Ho-Hum - Near and Dear
Don Chaffer and Waterdeep - Whole 'nother Deal
Nat Baldwin - Most Valuable Player
The Lord Dog Bird - S/T
The Wrens - The Meadowlands
Vigilantes of Love - Audible Sigh
Creeper Lagoon - Remember the Future
David Garza - A Strange Mess of Flowers / Overdub

THE CLASSY FOLKS
Daniel Lanois - Shine / Here is What is
Gillian Welch - Soul Journey
Crooked Fingers - S/T / Bring on the Snakes / Red Devil Dawn / Dignity and Shame
Calexico - Feast of Wire
John Vanderslice - Cellar Door
Jim White - No Such Place
Joseph Arthur - Our Shadows Will Remain / Redemption's Son
Sun Kil Moon - Ghosts of the Great Highway / Tiny Cities
Over the Rhine - Ohio
Nina Nastasia - Dogs

ROCKING INDIE
Guided by Voices - Universal Truths and Cycles
AC Newman - The Slow WonderWolf Parade - At Mount Zoomer
Damien Jurado - I Break Chairs
Pedro the Lion - Winners Never Quit / The Only Reason I Feel Secure / Control / Achille's Heel
Frightened Rabbit - The Midnight Organ Fight
Nada Surf - Let Go
Richard Buckner - Dents and Shells / Meadows

SPIRITUAL DOCUMENTS
Akron/Family - S/T
Sufjan Stevens - Seven Swans
Gillian Welch - Time (the Revelator)
smog - A River Ain't Too Much to Love
Bill Callahan - Sometimes I Wish We Were an Eagle


Western Ghost House

Okkervil River - Black Sheep Boy
M. Ward - Transistor Radio
Desaparecidos - Read Muisc/Speak Spanish
Beach House - Devotion
The Unicorns - Who Will Cut Our Hair When We Are Gone?
Deer Tick - War Elephant
Lil' Wayne - Tha Carter III
The Shivers - Charades
Darkest Hour - Undoing Ruin
Modest Mouse - The Moon and Antarctica


Derek - Writer, CFO, Windfarm

The Paper Hearts - Plans for the Past
Lucero - That Much Further West
Damien Jurado - Where Shall You Take Me?
Willy Mason - EP
Ryan Adams - Heartbreaker
Silver Jews - Bright Flight
Drive-By Truckers - Decoration Day
Kathleen Edwards - Failer
Gillian Welch - Time (the Revelator)
Will Johnson - Vultures Await
Explosions in the Sky - The Earth is Not...
Bonnie 'Prince' Billy - Master & Everyone
Arcade Fire - Funeral
Damien Rice - o
Hayes Carll - Flowers & Liquor


Jeff - Writer, Procrastinator, Windfarm

If I was to have to pick the albums that I would say had the greatest impact on me over the past decade, this is a pretty comprehensive list. Some of these albums I might leave off if I wanted to appear super cool or hip, but here's as honest a list as I can put together.

Lucero - Tennessee
Explosions in the Sky - The Earth is Not a Cold Dead Place
Nels Andrews - Sunday Shoes
Hayes Carll - Trouble in Mind
Atmosphere - You Can't Imagine How Much Fun We're Having
Slim Cessna's Auto Club - Cipher
Fleet Foxes - Fleet Foxes
Modest Mouse - Good News for People Who Love Bad News
Eleven Hundred Springs - A Straighter Line
Richard Buckner - Meadow

And while I didn't include any particular album from them, I want to note a few artists that I consider to have produced the strongest body of work over the decade.

The Avett Brothers (it was too hard to pick one album)
Doug Burr (both solo and with the Lonelies)
Ryan Adams (solo & with the Cardinals)
DeVotchKa (hardly a single bad song over four LPs)
Will Johnson (solo, Centro-matic, South San Gabriel, etc. etc. etc.)

Monday, October 5, 2009

3 albums I should have reviewed last year

As I note from time to time, the usual music listener doesn't exactly get to listen to new albums right away, and sometimes it takes a while to get around to everything you want to listen to. Not everyone gets advance copies of the album and then has the time and ability to write a snide review about it after two listens (you know to whom I refer).















Hayes Carll - Trouble in Mind

Hayes Carll's new material came back onto my radar about a year and a half ago when I had the opportunity to see him at a free show in Austin. I had seen him perform solo before, and loved his stage presence, but had lost interest as some of his more recent material I had heard sounded very "roadhouse," I guess you could say. But to be honest, I didn't exactly give it much of a chance. However, that all changed at this live show when I heard him play "Beaumont" off of his new album. This track is an amazing standout among great songs, and on its strength alone I was drawn back to giving Carll another listen. Suffice to say, I'm glad I did. Trouble is a fantastic collection of 15 songs, with a number of gems that include "Drunken Poet's Dream" and "Bad Liver and a Broken Heart." Another great moment on the album is the cover of Tom Waits' "I Don't Wanna Grow Up," and true to form, Hayes shows his comedic writing abilities on "She Left Me for Jesus." This album may be one of the best Americana albums released in the last 5 years or so.















DeVotchKa - A Mad and Faithful Telling

As is standard practice, DeVotchKa never ceases to show me how much more they know about music than I do. My first few listens of AMAFT left me wondering exactly what it was they were doing rather than wanting to hear more. As with most any album that I am not immediately drawn to, I put it aside for a time. I think some of my initial distaste was from my dislike of the first single "Transliterator," which I'm still not a huge fan of. However, I've come to recognize that the album has many strengths. It took listening to the songs toward the end to hook me on the album, as I consider "New World" and "Undone" to be the strongest tracks by far. Additionally, "Head Honcho," a remake from Super Melodrama, "Along the Way," and "A Clockwise Witness" are standout tracks that make this a work that shows DeVotchKa's strengths as a band and firmly hold AMAFT in place along with their best work to date.














Rodney Parker & 50 Peso Reward - The Lonesome Dirge

If you have found the common theme among these albums yet, then you get the award. Yes, they are mostly albums that just didn't take for me right away, and the latest from Rodney Parker is no different. The more I listened to this album, however, the more irresistible it became. One can hardly have any difficulty rocking along with the band's cover of Springsteen's "Atlantic City," or playing train beat air drums along with "Firefight," but the rest of the album takes a bit longer to sink in. At times, I found myself trying to figure out exactly what was up with the guitar shredding on "Brother," but now I generally accept that it just rocks a little country and a little bit of 1983 at the same time. No one ever said there was anything wrong with that. The Lonesome Dirge is extremely well produced, but not overly so, and the rhythms on the album make it a strong listen that sets it apart from other Americana records. This album is a great record to drive to, so what more do you need to know?