Showing posts with label Kris Kristofferson. Show all posts
Showing posts with label Kris Kristofferson. Show all posts

Wednesday, July 21, 2010

Merle Haggard - Learning to Live With Myself

During a recent lull in summer television, I found myself watching a brand new documentary on Merle Haggard, from the American Masters series on PBS, entitled Learning to Live With Myself. I started out with relatively low expectations, but they were raised a good bit when I saw that the director was Gandulf Hennig, the same person who made the Gram Parsons documentary Fallen Angel, of which I was a big fan.

If you look up Hennig's IMDB profile, you'll see the aforementioned documentaries are the only two films he has made (that have made it onto IMDB at least). For a German national, who apparently now lives in Nashville, Hennig has an amazing ability to capture the lives of American musicians in a way that few other people can. He compiles interviews with a wide spectrum of people and his storytelling is simply perfect in its continuity and completeness. (Note: embedded video below may not show up in Google Reader).

Watch the full episode. See more American Masters.



The documentary follows Haggard through his traumatic early life, largely a result of the death of his father when he was 9 years-old, and moves through his troubled early adulthood into becoming a country superstar. They do a beautiful job of portraying the somewhat contradictory roles he filled, being an outlaw of sorts, but also becoming a conservative icon following the release of "Okie From Muskogee." Not only does the film chronicle Haggard's life in depth, but it also stands as a detailed record of the important role California country music, specifically the Bakersfield sound, played in the diversification of country music in the 1960s and beyond.

Not unlike the Fallen Angel documentary, the strength of this work is in the wide breadth of interviews that were conducted. Keith Richards, Dwight Yoakum, Kris Kristofferson, and Marty Stuart are but a few of the stars who contribute to the film, but maybe even more importantly, family members and childhood friends were also interviewed, providing a very strong and detailed picture of a man who doesn't often reveal his public life. Hennig truly succeeded in his endeavor by gaining Haggard's confidence on a level such that there are many candid moments in his interviews with the artist.

One of my favorite moments in the film comes when it was discussed how Dick Clark one time told Haggard, near the peak of his mainstream success, that if he simply recorded a few pop music songs he could literally be one of the biggest stars on the planet. Haggard reportedly told Clark very simply "That's not who I am." Rather, Haggard took it upon himself to promote American roots music, recording songs with the Texas Playboys and releasing an album of Jimmie Rodgers songs.

This film far exceeded my initial expectations and is highly recommended to anyone with an interest in Haggard or in the history of country music in the United States.

I don't know how long it will be available, but apparently you can watch the entire film online at the PBS Web site here (or click the link below the video above).

Wednesday, January 20, 2010

Waymore videos

I know it's kind of annoying when bloggers just repost videos, but don't worry, this one is an old Waylon video. I know things are getting busier with work when I start watching lots of old country videos on youtube.

By the way, if you happen through Littlefield, TX, you should stop by Waylon's brother James' museum/liquor store, called Waymore's. Yes, you read that correctly. No, I haven't been there, but it's a top priority when we are back in Texas.





Everyone, meet 80s country. Take your coat off and stay a while.

Saturday, December 12, 2009

12/12

Not much to post lately:
although good things are on the way.

Check out Denver's own Nathaniel Rateliff and the Wheel:
on their recent Daytrotter session. These are probably the best recordings to date from the band, as their only record was recorded before the band was in its current formation.

Saw Invictus last night:
Great story. Good movie. Lots of rugby action, if you're in to that sort of thing. Still well worthwhile to watch even if you're not. However, no big surprises either.

In case you missed it:
Aquarium Drunkard posted a great interview with Kris Kristofferson a few weeks back.

Austin favorites Monahans:
have just reissued their out-of-pring debut record Low Pining for the first time on vinyl. Doesn't seem to be available online at this time though.

Also, I just saw Monahans tweeted:
"New Doug Burr songs kill!!!!" - Makes me even more anxious to hear that new record.

Not sure why I like this picture so much. Guess it just reminds me of my childhood:

















(Picture credit here)

Sunday, May 10, 2009

In case you were wondering

The Kris Kristofferson/Toby Keith flap that I mentioned here seems to have largely faded into obscurity, which is generally fine with me.  It somehow brought a TK fan to find my blog, which has led me to work diligently to make sure that never happens again.  Anywho, both sides were denying it, and everyone has mostly stopped talking about it altogether, but I thought I should share one tiny tidbit with you.

It turns out that Kris's wife remembers the encounter.  If you're like me, this info helps me immensely and really helps put Kris back up where he needs to be in the world of Outlaw Country.

Toby Keith is not/never will be an outlaw.  Remember this line from one of his big hits?

"you, you, you, you, you, you, you, you, you, I wanna talk about, I wanna talk about me..."

Let's just leave it at that.

Monday, April 6, 2009

Sad

So thanks to a reader (how a Toby Keith fan found this blog I will never know), it turns out that both Kris Kristofferson and Toby Keith are denying that the reported 2003 exchange between them, noted in Rolling Stone magazine, ever happened. The Tennessean covers most of the details here.

While some have noted that if neither side remembers the story, it probably didn't happen, I have to wonder why the hell Ethan Hawke remembers it, as he is the one that wrote the story? I'm sure some will attribute this to him being some disconnected Hollywood type or (fill in the blank comment about "liberals"). However, of all things to start an article with, this was an amazing account, and I find it odd that he would contrive a story that was going to be read by millions of people, and had to have known it would be subjected to serious scrutiny if it wasn't true. I expect that Rolling Stone didn't hold the article up to normal scrutiny because it was from a celebrity author, but I could be wrong about that too. Or maybe they just didn't want to spoil such a good story.

I guess we may never know, but I for one, am saddened to learn that this is being denied, as it was about to become my favorite story.

Update: While I think all parties involved are hoping this blows over, this blog has a bit of information (evidence? conjecture?) that Kris had told the story to others after it happened and that his memory might not be all it used to be. In summation, we still have no idea where this story came from.

Sunday, April 5, 2009

I watch these things so you don't have to

I always feel really embarrassed afterwards when I let people know I watch things like the Grammy awards or the Academy of Country Music Awards, but nonetheless, here I am doing it again. The ACM's are on tonight, and now that Nashville owns Texas country, I couldn't help but watch for the folks who are nominated that I had occasion to share a stage with back "in the day" (Eli Young, Randy Rogers). Sad, I know, but such is life.

Usually my watching the country music awards involves me finding out what the hell has been going on in country music for the last year, typically followed by a good deal of disgust and throwing things at the TV. Nonetheless, here's my thoughts so far:

"Johnny and June" - by Heidi Newfield - I don't respect anyone that sings about Johnny Cash in a way that is this obvious. If you sing about Johnny Cash, you better do it in a way that no one can tell. This song is 100 times worse than all the bad covers of "Folsom Prison Blues" I've heard over the years, and yes, I do still walk out of any establishment for the duration of the song when I hear someone play it.

Toby Keith just played. There's not an online link to it, but the new Rolling Stone, with Lil Wayne on the cover, has a great story about Kris Kristofferson putting TK in his place a few years back. Read it in the bookstore if you can't justify buying it, but it's well worth it if you take some pride any time you hear a real country musician taking the wind out of Toby's sails.

Someone just got compared to Waylon - this is going to be good. Jamey Johnson...this stuff is going to put me in my grave.

Jamie Foxx introducing George Strait. I can get on board with this. No matter what George is doing now, he can do no wrong as a result of his work in the 80s.

Looks like he's still got it. I'm going to have to put in a vote for him for Entertainer of the Year.

The Lady Antebellum performance is taking away my last energy. I'll update again if I can, but I'm pretty sure it's all downhill now that George has played.
.......
I'm back, if only briefly. Sugarland just accepted their award for Best Vocal Duo, and made the comment that their band would "blow your face off." Kind of funny really, with them not being country and all, and makes me think of a real country musician, Billy Joe Shaver, who really did nearly blow a guy's face off. Now that's country music.
.......
John Rich just played. Not even going to dignify him with a degrading comment.

now Miley Cyrus - I guess she's sticking to the demographic that doesn't care (as much) about the racist remarks she made a few months ago and then fake apologized for.
.......
Brad Paisley gets top male vocalist. I can live with that - anything that keeps KC or TK from winning. Plus, he did "When I Get Where I'm Going," which gives him a pass on most of his questionable songs.
.......
and blah blah blah it's over now. nothing of note left to report.