a new book out by one of my favorite (fairly) young Texas writers - Oscar Casares. His new book Amigoland apparently came out last month, and I'm not sure Texas Monthly even reviewed it.
I had intended to write a full blog about this:
and I was also hoping to interview Buddy Wakefield, but he didn't have time for an email interview and I didn't have time for a phone interview. So oh well. Nonetheless, tonight in Denver, the Elephant Engine High Dive Revival tour makes a stop at the Crossroads Theater. Don't worry if you don't like slam poetry, this is nothing like that.
I can't deny:
that I'm a little disappointed that preorders of the new Avett Brothers LP, bought directly through the band's site, have not yet arrived, while it's been available in indie record stores for over a week now.
If you still use myspace:
have you noticed that bands can now message you about upcoming shows? Yeah, it sucks and makes myspace even more useless.
Would it be cruel to name a kid "Wendy":
if your last name was "Saintsgomarchingin"?
If you are a fan:
of Justin Townes Earle, you can vote for him here in the Nashville Music Awards in the Best Music Video and Best Americana Album categories. Note: you have to vote in all the categories, some of which aren't very interesting, but it still doesn't take that long.
You don't have to agree:
but I think Brad Paisley's recent "Welcome to the Future" video may be one of the most important country music videos made this decade. Can't embed it, but it's linked here. The song itself is pretty good, probably not even his best, but the video makes up the difference. It's not only the content of it, but the recognition of who the audience is for country videos. For all the negative discourse that has been associated with country music, this is one of the more progressive videos made in country music to this point, especially considering the political climate right now.