Cormac McCarthy emerges once again

If you've had all the family time you need for one day and you're now hiding behind your laptop while everyone is screaming at the football game, then it sounds like maybe you need a little Cormac McCarthy in your life.

He recently did an interview with the Wall Street Journal that you can find here. He's really coming out of the woodwork these days, first with Oprah, and now this.

Plus, in case you were interested, The Road was just named the Times' best book of the decade. For the most part, this list of the 100 best books is likely to make you feel like you haven't been reading enough the past few years.

And just to be clear, you do not own a signed copy of the The Road, and if you think you do, then you need to find the dealer who sold it to you and get your money back.

Seven Signs that it's hard to find an entirely new perspective on the South

I hesitate to do much in the way of reviews on this site, just because I'm so indecisive in forming opinions on such things. However, I'd like to give a brief report on what I thought of the above Seven Signs movie.

The documentary is the brainchild/project of The Legendary Shack Shakers front man JD Wilkes. Format-wise, I didn't find it substantially different than Searching for the Wrong Eyed Jesus. I like both movies, and seeing one before the other probably influences how you perceive each.

By far, Seven Signs has it's strength in the stories told by the people that are interviewed. Similar to SFTWEJ, there are countless interesting "characters" and legends in the South and Wilkes does a good job of seeking out some interesting folks. Additionally, there is a strong focus on music, and the film includes performances from a number of musicians that claim some sort of Southern influence in their art.

One thing I was looking forward to was the inclusion of Slim Cessna's Auto Club in the film, as I'd known they were involved since I first saw the trailer. Oddly though, this turned out to be a portion of the film I didn't quite understand. The end of the film includes a live stripped down performance of "Children of the Lord," by Slim and Munly. The part that I didn't quite understand was the story that Munly tells in addition to the performance. While it was fairly characteristic of the Munly stories I've read, it just seemed an odd conclusion to the film, given that most of the earlier narratives were from folks from the South who were telling either personal stories or local folklore, and here is a Denver musician telling a story about "Döder made me do it."

It's almost an Andy Kaufman type of moment, where you don't know if the joke's on you or if you're just not getting it. I welcome interpretations from others.

The film is short, running at about 50 minutes, but covers a number of interesting subjects, has an intriguing theme running throughout, and is overall worth the watch. I think it is a good and honest portrayal of the South, although not a totally novel one. But then again, not many people can completely redefine the representation of a region or culture through art (unless you're Cormac McCarthy).